Life is a road. It's full of surprises, happiness, and sadness. Federico Fellini's La Strada (1954) perfectly captures this. The title of the film, in English, means “the road”. The road that the characters must journey on in this film is one that deals with internal conflicts and life's crazy challenges.

Rota's score for La strada masterfully conveys moods ranging from energy to poignancy, and it demonstrates his deft handling of music to portray quirky characters.

Gelsomina, an apparently somewhat simple-minded, dreamy young woman, learns that her sister Rosa has died after going on the road with the strongman Zampanò. Now the man has returned a year later to ask her mother if Gelsomina will take Rosa's place.

However, Federico Fellini utilizes neorealism throughout the film by featuring relatable characters that face very real challenges. These “challenges” appear as random events that appear throughout the film and seem to fall out of the sky. The characters either adapt and grow to them or overlook them and move on.